SOLD OUT - No tickets available at the door.

Please read below for important event info...

We are very excited for you to join us in welcoming the incomparable Beverly Glenn-Copeland & Friends, as they present The Salon Evening in the Pioneer Works Main Hall on Monday, September 30th, 2024.

Doors open at 7pm and the concert will begin promptly at 8pm as one continuous program featuring Glenn & Elizabeth Copeland with a collection of amazing artists and friends.

This concert is standing room only, however there are various benches around our space and in our garden for those needing a reprieve. If you have special needs and require a seat please email info@pioneerworks.org and we will work to provide the access you need.

PLEASE NOTE:

By artist request, masks are required inside during the event, at all times. Pioneer Works will have free masks at check-in for those who need them. Wearing your mask is only optional outside in our garden, where you will find our bar. In addition the the onsite mask mandate, in effort to create the safest space for immunocompromised artists and attendees, we have also enlisted A.I.R. NYC to provide 8 air purifiers throughout the space to filter air.

Beverly Glenn-Copeland

Born in Philadelphia in 1944, Glenn (as he likes to be called) grew up in a house where his father practiced piano for five hours a night, making Bach, Chopin and Mozart his ‘cradle music’. He moved to Montreal in 1961 to study classical voice at McGill University. Faced with challenges relating to his race, gender and sexual orientation, he dropped out of university before completing his degree, picked up a guitar and started writing music.

In 1970 Glenn-Copeland recorded two albums. The first, part of CBC’s ‘Transcription Series,’ was titled Beverly Copeland and was a virtuosic showcase of classical and jazz vocal stylings, poetry, jazz and folk, accompanied by some of the best players of the time. Original pressings of that album now fetch thousands of dollars. Six months later Glenn-Copeland made a studio album with many of those same musicians, including the brilliant Lenny Breau, titled Beverly Glenn-Copeland.

It wasn’t until 1986 that Glenn-Copeland recorded again. Inspired by a profound relationship with nature, an obsession with science fiction and some of the earliest drum-machines and synthesizers, Keyboard Fantasies was born. Self-released on cassette, it sold less than 100 copies. In 2016, Keyboard Fantasies was discovered by a revered Japanese record-store owner. Word spread and several re-issues were released. One thing led to another and within a year, he began to tour the world with his new band, Indigo Rising. This summer, Glenn-Copeland will release an album of brand-new music called The Ones Ahead, another high point in a career that has defied categorisation. In the early 1990s, Beverly Glenn-Copeland first heard the term ‘transgender’. Armed with the language to describe the way he had felt all his life, he discovered a self-identity which had previously eluded him.

Glenn’s love for working with children and youth has been a constant throughout his life. He appeared as regular guest ‘Beverly’ on the beloved Canadian children’s TV show Mr. Dress-up for nearly 30 years. He wrote for Sesame Street and Shining Times Station. With his wife, Elizabeth, a theatre artist, poet and artist educator, he has completed more than a dozen artist residencies in schools and community settings in New Brunswick and Ontario. They founded and ran a theatre school during their years in Miramichi, N.B. and together they have written four musical plays that speak to the issues of our times. Today they work together entirely in collaboration.

Glenn lives in Hamilton, Ontario with Elizabeth.